away from home and back again

Heading Home

Pushing it to a hundred

flanked by paperbacks and pines.

Their branches tremble,

startled by the high-beam halo.

Velvet Underground

drowning out the engine.

Singing the choruses and

dipping lights for oncomers.

Mumbling the verses

and slowing to eighty

through Balnarring and Hastings.

heading for the city,

the freeway and the lights.

Leaving the winter coast

and the house without curtains

for another weekend.

 

- Adam Ford, Not Quite the Man for the Job (buy it here)

Reading this, I'm reminded of the song Animals by The Guild League, which begins:

Clouds of feathers fleece and foam,
halfway to my childhood home.
In the car and on my own,
white lines where the road is sewn.
Stitches holding down the car,
beside the sun under the stars.
Through the evening coloured so
like pink champagne and eye-shadow.

It's on their album Inner North (buy it here)

what's a memory?

It begins:

There once was a small boy called Wilfrid Gordon McDonald Partridge and what's more he wasn't very old either.

Have you read it? This most beautiful story is about a little boy who lives next door to an old folks' home, and whose favourite old lady there - Nancy Alison Delacourt Cooper - has lost her memory.

He asks all the people in the old folks' home, What's a memory?

Their answers are cryptic, ethereal, esoteric, even contradictory. It's something that makes you laugh, something that makes you cry. It's something as precious as gold. But, armed with their advice, practical Wilfrid sets off to gather some memories for Miss Nancy, because she has lost her own.

Perfectly written by Mem Fox, this one will break your heart in the best way possible. Wilfrid Gordon might seem to approach memory loss and Alzheimer's disease in a naive, childlike way - and he does! - but this book shows the wonderful way that some memories don't have to stay lost, the way objects can be significant and imbued with meaning and just how important it is to make connections with other people - and not just those from your generation. This is how stories are made, and so I hold Wilfrid Gordon close to remind me.

But don't forget the illustrations! You couldn't if you tried... Julie Vivas is some kind of magical watercolour genius. Her pictures bring the story to life in a way that I don't believe anyone else quite could. And it's not just this book, but the others too: The Very Best of Friends, Let the Celebrations Begin, The Tram to Bondi Beach, and of course Possum Magic*. I love her soft colours and distinctive style, I love the droopy socks, I love her chooks.

I don't remember first being read Wilfrid Gordon McDonald Partridge, but my childhood edition has an inscription:

 To dear Kate
Happy Christmas 1985
Love from Mum and Dad

Meanwhile, pictured here is a first edition copy of this, my favourite book. I was given it as a present for my recent, milestoneish birthday by some wonderful friends. It's an old memory, now wrapped in a new one.

*Possum Magic and I are the same age and, as such, share a strong connection ... though Wilfrid Gordon is my true favourite.

poem love #1

Having a Coke with You

Frank O’Hara

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles

and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse

it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it

visit the Frank O'Hara website here

the best coffee in geelong

ladies and gentlemen. i am a native of the bayside town of geelong. i was born there, schooled there, called it my home for my formative years.

until now, it has been (in my eyes) a disappointing and beanless coffee wasteland. bean squeeze gave me some kind of reprieve over the last couple of years (plus the closest one to my parents' house is right next to the mill markets) and while it's still a solid place to coffee i finally visited the COFFEE CARTEL in breakwater.

and i am in love.

for those unfamiliar: breakwater is pretty much in the middle of nowhere. the cafe is surrounded by industrial buildings and factories and hardly any houses. it kind of looks like the place the bikies hang out. which is cool.

they roast their own coffee out the back.*

there were lots of people there on the saturday arvo that i visited.

my skinny latte was very delicious. nice and strong and a brilliant flavour. quite distinctive and delish. it was relatively pricey at $4, but bigger than you'd get from the equally pricey market lane coffee in melbourne...

they do teas and all kinds of coffees, food and cakes and everythink. comfy places to sit and the folks working there were nice.

the local rag confirms it is the best.
visit their website.

* the lady (unwittingly) pictured - how random is this - was my mama bear's form two maths teacher.

...the more they stay the same

I have in my possession a curious rejection letter from 1953.

Unfortunately, we shall have to tell you frankly, as we would have done if you had inquired in advance, that we do not feel justified under present conditions in undertaking books of fiction by unknown authors. Both manufacturing and general costs are very high indeed in this country, and there has been a slump in the market for hard bound fiction, partly due to necessarily high prices, and partly due to the tremendous sales of paper covered editions.

They go on to say that if she were willing to finance her book they could perhaps take it on. Pretty sure this kind of offer is happening around the traps at the moment...

It's oddly comforting to know our struggles are not new, that the medium can change but the stories will go on. And we still read hardback books, we still buy them. And I'm considering buying an ereader. The world won't end if I do.

I don't have Miss Thompson's manuscript, but do have some of her short stories. And her own life was more fascinating that any book, even though much is still a mystery. She and I are not done with each other yet!

2012 bests

lots of people are making their lists of 2012 best reads and if i made a list it would go on forever, so i've decided to go with just two: a YA best and one grown-up one. as it happens, one is the first book i read this year, the other is the last. this is a kind of symmetry i like. one was first published in australia in 2012, the other is from a couple of years ago, but which i only just got around to reading.

there were many amazing YA titles this year (and A LOT of australian ones), but i'm going with daniel handler's why we broke up, illustrated by maira kalman. i love these guys; loved their collaboration on the picture book 13 words. when i read this i was just about to start work at hardie grant egmont and it made me feel so chuffed that my new workplace had chosen to be the australian home for this book. it made me feel confident that we would get along.

why we broke up

min green and ed slaterton are breaking up, so min is writing ed a letter and giving him a box. inside the box is why they broke up. two bottle caps, a movie ticket, a folded note, a box of matches, a protractor, books, a toy truck, a pair of ugly earrings, a comb from a motel room, and every other item collected over the course of a giddy, intimate, heartbreaking relationship. item after item is illustrated and accounted for, and then the box, like a girlfriend, will be dumped.

beginning to end, all the angst and heartbreak included, this was a delight. all the (made-up) films and movie stars, the references that min made and which baffled ed. the conversations that went around and around, the tangents and segues. why we broke up is a brilliantly written and smart book - plus, so perfectly teenage. min is hyperbolic, feels things so deeply. she's over-dramatic (some might say) and i know there were many adult YA readers who didn't like this one at all. and this, above all, is why i love this book so: a teenager's life should often exclude or baffle an adult and i felt that min and ed and al all had the space to exist as teenagers and as people. they felt real, they spoke their thoughts and got things wrong. they were unlikable, precocious and whimiscal (angsty). and i loved them for it.

***

i don't read a lot of books for grown ups, and even more rarely do i read non-fiction. but i've been coveting patti smith's memoir just kids for a month or so now, drawing it out and savouring it. i finished it this morning; i loved it.

just kids

just kids begins as a love story and ends as an elegy. It serves as a salute to new york city during the late sixties and seventies and to its rich and poor, its hustlers and hellions. a true fable, it is a portrait of two young artists' ascent, a prelude to fame.

smith's prose is dreamy and yet straightforward, it's intimate but not self-exploitative. i knew so little about her life, and littler still about her relationship with robert mapplethorpe. this was such a special book. i loved the way she spoke about all those crazy cats who inhabited manhattan and brooklyn and paris in the 60s and 70s - it was just life, it never felt like she was name-dropping or big-noting. i appreciated the solemn, serious and dedicated way she approached her art. i think this is one i will read again and again.

yet you could feel a vibration in the air, a sense of hastening. it had started with the moon, inaccessible poem that it was. now men had walked upon it, rubber treads on a pearl of the gods. perhaps it was an awereness of time passing, the last summer of the decade. sometimes i just wanted to raise my hands and stop. but stop what? maybe just growing up. (p.104)

happy new year!

i really like christmas

puppies, a game of croquet, a trip down the great ocean road, a surf lesson, a swim with australian fur seals and much delicious food and drink - this christmas holiday has been one hundred per cent fantastic. the family i worked for in france six years ago came to my parents' place to spend five days with us during their three week holiday in australia. the kids are older, but just as brilliant, curious and hilarious. and though it has been four years since we were last together, it felt like no time had passed at all. we introduced them to paper christmas hats, fish and chips, the hole in the ozone layer and homebrewed beer.

this is actually the evil sister, not a frenchie. she should know better...

i was also having a nosey through my grandmother's recipe collection and discovered this little bit of delightfulness: